Space Connection Shape's visual components
My name is Md. Arman Alam, and I am a MA Interior Architecture and Design student at the University of Portsmouth in the United Kingdom. It involved a new journey and meeting with my classmates, lecturers, and professors. Our induction was on January 18 in the Park Building. Then our first class was Interior Practices: Design Project at the Eldon Building. I am so lucky to have friendly teachers to guide me in my course instruction. This session had two senior teachers and two professors. I hope to get the best guidance and direction to fulfill my dream.
Firstly, our class started with an introduction. Then our Professor Oren Lieberman told the story about Jane Bennett’s Vibrant Matter: nature, ethics, and human experience. I understand the story is about the "vital materiality" of things and how they are related through and across bodies, both human and nonhuman. The story was related to human responsibility and connecting space with architecture, which I think is a shape, and sticks, which I think are a shape. After listening to the story, I have to draw something. It was displaying the time, and I was unsure what I should do in that situation. I think it's said by Jane Bennett's that we are getting different meanings from spaces, which is our experience. The human thinking spirit travels along that same path for her work in nature. I can read Jane Bennett's book in its entirety, and I think it's fascinating for the connection between architectural power and politics.
A space between shape elements connects to and enhances the basic shape that the space creates. The look is created by various shapes, which are rectangular or square in shape. The rectangular and square shapes are the main characteristics; there is a common space that merges perfectly and is important. It gives the space openness and liberty. Instead, the space between shapes is explored together, in which case the shape is minimal and the space is appealing and creative.
Table MethodNow, the shape connecting both together is a jointly added one, which is understood. This is the shape of every relationship: rising, creating, and doing the helping focus. It connects the space by forming shapes together. Every shape is different in size, but there is a relationship that can be adjusted for each shape. I added some shape links that brought in some texture and complexity. I used a variety of different-sized rectangles and squares to help link and space very clearly. And the rectangular or square shape also means that there is a main focus area that goes unused. As a bonus, it is easy to scale up and down with a little measurement.
The basic shape features of the design style are square, line, and rectangular—all shapes I just try to connect to the story. Finally, basic shapes primarily focus our object on how basic shapes dominate the shape and have the greatest influence on spaces. And since space connects the shape, it can perfectly merge with the space.
How does your drawing connect to the passage from Jane Bennett's, Vibrant Matter that we read before the drawing session. Are there words or ideas that came from this that you can connect to your drawing?
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